Attention writers! Fancy a free, fast, five-page critique of your work? The first ten people to buy or gift a copy of FAST FORWARD and forward their receipt to me will get one!
I’ll critique five standard pages (word document, 12 point font, double spaced) of anything fiction-related you’d like feedback on: the first five pages of your manuscript, a synopsis, back cover blurbs, or a brief synopsis and a few pages of a chapter – whatever you can fit into five pages in total. Any genre.
Here’s how to score a critique:
1. Buy FAST FORWARD anytime from now till the 10th June (Queen’s Birthday long weekend), or if you’ve already got it you can gift a copy to a friend.
2. Send your receipt or a screenshot of your proof of purchase to me at fastforwardbook(at)gmail(dot)com – replace (at) with @ and (dot) with .
Receipt should be dated 8th, 9th, or 10th June, or if you’re international and not yet up to Australian time and it’s still the 7th, I’ll accept that too. Basically, from the moment this blog post is live you’re eligible.
If you’re one of the first ten, I’ll let you know and you can send me your five pages.
The critique will be via Microsoft word ‘track changes’ (comments in the side margins and some suggestions within the manuscript), and will include general feedback on the story as well as grammar, showing vs telling, dialogue…etc. It may also include the odd smiley face and exclamation mark. You have been warned. 😉
Get in quick! Buy FAST FORWARD worldwide via…
Then forward your receipt to fastforwardbook(at)gmail(dot)com
I look forward to reading your work!
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Want a 5 page critique? Get in quick at @Juliet_Madison’s blog! http://bit.ly/ZxQmp8 #critique #amwriting
Writers! 5 Page critique of synopsis &/or manuscript to first 10 people! Details here via @Juliet_Madison: http://bit.ly/ZxQmp8
A synopsis is a summary of a novel’s main plot points and characters, from the beginning right through to the end. Most agents and editors like to see one when assessing your manuscript for possible publication, so it’s something almost all writers have to do at some point. I’ve noticed many publishing professionals request a ‘brief synopsis’, which I take to mean about one or two pages at the most. Others may ask for a more detailed five or six page synopsis. But this is something many writer’s struggle with, me included.
How can you possibly take a 300-400 page story and explain it in only one or two pages?
I don’t claim to be an expert on this (far from it, although I do my best!), but here are some things I’ve learned while writing my own synopses. I’ve called it ‘The Russian Doll Method’!
Open your manuscript and summarise all the main plot points, as though you’re giving someone a running commentary on a TV show or movie they can’t see. Use present tense. Don’t worry about length at first, just get the main plot points down (big Russian doll), and add in a taste of your voice, so if it’s humorous, show some of the humour, if it’s suspenseful, add that element to the synopsis too, as long as you don’t leave any questions unanswered. A synopsis’ purpose is to tell a potential agent or editor/publisher what the book is about and what happens throughout the story, including the ending.
Once you’ve written the summary, go through and highlight the most important events affecting the main character/s in yellow. Then highlight the slightly less important events, but still a required part of the story, in another colour such as grey (just one shade, not fifty. Sorry, couldn’t resist;)). You might find that some events can be left out of the synopsis, for the sake of brevity.
Now start again, writing the synopsis focusing on the highlighted parts, and tightening up the sentences (smaller Russian doll). Check the length to see if you need to cut further, and if so, go through the highlighting process again (even smaller Russian doll). Also, see if some plot events can be combined into one sentence as an overall summary of the situation, so rather than:
John arrives at his grandma’s house and notices the door is unlocked. He searches all the rooms in the house, but finds them empty, so he walks out the back door and through the overgrown garden. She isn’t there either. He goes back inside and stands in the kitchen, scratching his head, then notices a half-eaten toasted sandwich resting on the table. He picks it up and finds it is still warm. Thinking his grandma might have been abducted only moments ago, John immediately calls the police. (forgive the crappy writing, this is just an example!)
Using the highlighted parts (which I’ve underlined instead because I don’t know how to highlight on this blog!), the paragraph could be changed as follows:
When John arrives at his grandma’s house it is empty, and her half eaten lunch is still warm. Terrified something bad has happened to her only moments before his arrival, John calls the police.
And if you had to cut it even further it could be changed to:
John calls the police on finding his grandma’s house empty.
Sometimes it’s easier to work this way, starting with a long synopsis and gradually breaking it down. If you end up trying this process, I’d love to hear how it goes for you – let me know!
How do you go about writing a synopsis, are there any valuable tips you’ve learned through the process?